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Top 10 Movies of 2008

Did I see everything? No, I didn’t. I started reviewing full-time in May 2008 and even then time and budget constraints precluded me from seeing everything I wanted to. I had a good run, though. I managed to see one hundred films in seven months. Several movie reviews were written but never published on the site as trial runs more than anything. A few have been posted, but most haven’t. As such, this is a relatively complete list with almost all of the Oscar contenders reviewed along with most of the summer stuff, fall, and Christmas stuff. I hope to review two hundred movies in 2009, but we’ll see how things go. I had fun in my inaugural year, even when I sat though a lot, and I mean a LOT of crap. So sit back and enjoy. Links for the full reviews will be posted my top 10 except for Funny Games, which does not have a full review. The review I wrote in March was only about 250 words because it was part of a trio of movie reviews for the school paper.


State of Play (2009)

Movies about corporate corruption and sex scandals are a dime a dozen these days, which is probably why no one goes to see them anymore. How many more do we really need? I guess it’s the best the real filmmakers can do to compete with brain-dead teenagers. That aside, State of Play (based on a BBC miniseries) is a delight to watch even if the ground it traverses has been beaten into the ground over and over and over again. Director Kevin MacDonald has little trouble handling this A-list cast and the story, which was co-written by Duplicity writer-director Tony Gilroy, has some sharp dialogue and acerbic wit for the actors to feast on.


Political scandals are nothing new. The idea that Congressman Stephen Collins (Ben Affleck) would be having an affair with a younger woman is old hat. What is more intriguing is that she is apparently murdered on the subway track. There’s also another separate incident that unfolds as an apparent drug deal gone bad to the cops. Like classic film noir, the two strands come together early on and...

Crank: High Voltage (2009)

If nothing, Crank: High Voltage deserves credit for attempting just about anything to keep the audience engaged and riveted. Thankfully, the movie is 85 minutes long and many of the stunts that writer/directors Neveldine/Taylor pull actually work to some degree or another. Some don’t, but the hits outweigh the misses and they create an engaging experience that probably would have worked better had it been shorter and had there been an actual story somewhere in this film instead of being an afterthought. Think of Crank 2 as some kind of bizarre experiment that doesn’t quite work, but doesn’t quite flop, either.


Having Jason Statham as your lead is certainly an asset. He doesn’t act, per se, but he does bring the right attitude and he has a strange charm to him. This character isn’t far removed from the character he plays in The Transporter flicks. The difference is Chev Chelios gets the hell beaten out of him and he does things he would never do in The Transporter flicks. Well, maybe he would, if he were desperate. And...

Dragonball Evolution (2009)

Here’s a quick disclaimer. I am probably the wrong person to review this movie. I have never watched/seen/read or had any actual interaction with the popular manga and anime show that became a cult favorite in the U.S. in the 1990’s and even today, on some level. I have never been a fan of anime and, as such, tended to favor American shows like Family Guy, South Park, and The Simpsons when it came to animation. So, with that kind of disadvantage set, I was probably doomed from the start when it came to the live-action Dragonball Evolution, which plays like a very cheesy and poorly-made origin story that has a lot of inspiration from Star Wars to Lord of the Rings and so on. The influences notwithstanding, the movie itself has little weight because the characters aren’t revealed as anything beyond stock types and the movie itself seems nothing more than a vehicle designed to hit the broad appeals of the fan base (whether or not they succeed is a matter for the fans to decide).


Observe and Report (2009)

Fair or not, Observe and Report is going to be compared to Paul Blart. The comparisons aren’t necessarily unfair because the two movies were released about three months apart and their main characters are security guards who are insecure and unsure of themselves. Whereas Blart tended to be a lighthearted romp with a nice Die Hard homage for the second half, Observe and Report is a lot like Taxi Driver with a character driven by his insecurities and delusions to a near psychotic pitch. At least, that’s what the movie would like to be if we didn’t have such a personality disorder. The movie wants to be a dark comedy, a social commentary, and a farce at the same time. The three do not mix and writer-director Jody Hill loses any real identity for the film. The movie aspires to all three identities but never seems to reach out and pick one or a working combination. Instead we’re left with a muddled, unsatisfying mess.


That’s a shame because Seth Rogen is ideal for the...

Fast and Furious (2009)

It’s never a good sign when you see a movie and then thirty minutes later you can barely remember what it was about. That’s the way I felt seeing Fast and Furious. It was, for me, a very passive viewing experience that left me deaf more because of the experience. Awed or emotional? Not really, but that’s not surprising. I liked the first film because it had some edge. This movie has no edge. Director Justin Lin keeps everything on autopilot aside from an impressive opening sequence and some decent car chases.


You’d think it’d be otherwise with Vin Diesel, Michelle Rodriguez, Jordana Brewster, and Paul Walker returning to reprise their roles. You’d think so, but then you’d be wrong. While getting the original quartet back is nice, they need some kind of story to work with. The original didn’t have much originality, but at least the characters tried to be interesting. Here, we’re just retreading old, worn ground and never getting anything too deep or too emotional. Heaven forbid a teen-ager should actually feel something besides vicariousness. Brian (Walker) and Dom (Diesel) have...

Adventureland (2009)

Be still, my heart… there’s actually a movie out there that is both funny and insightful. Adventureland, which was made by Greg Mottola ( Superbad) delivers a movie that has an acerbic wit to go with some very quirky and engaging characters that you could only find at a dead-end job like a theme park. I’ve never worked in a theme park, I’m happy to say, but I’ve seen some of the people who work there and I’ve seen similar types at other jobs I’ve worked at over the years. They aren’t quite as lively as the people who work here, but the diverse backgrounds and the diverse characters you meet is quite accurate. Not sure if you’ll ever meet Ryan Reynolds, but that’s probably irrelevant. What is relevant are the characters and the situations that writer-director Greg Mottola puts them in. Though the movie bounces around too many storylines, many of them are on the money and leave a lasting impact after the film has ended, which is a rarity in today’s pop bullshit world.


It’s an interesting decision on Mottola’s part...

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